From Lupin to Squid Game, 2021 Was a Watershed Year for Foreign Language Mega-Hits

In many ways, the absolute death grip Netflix’s Squid Game managed to get on worldwide streaming audiences in the last half of 2021 felt, at least to this critic, less like a surprise than an utter inevitability.

I don’t say this because BTS has been a dynamite global sensation for years (although they have), nor because Bong Joon-ho’s Parasite set the stage with its Best Picture win at the 2020 Oscars (although it did), nor even because the international obsession with K-dramas, as a whole, has been growing steadily for at least a decade (although that’s also true!). I mean, sure, these factors certainly contributed to it being a South Korean drama that ended up becoming the self-reported “most-watched series globally in Netflix history.” The fact of the matter is, though, a positive feedback loop has been running for years between the rising dominance of streaming video and the globalization of pop culture. That streaming projects originally developed in languages other than English (and produced in markets other than the US, Canada and the UK) would, sooner rather than later, break through into mainstream popularity—well, that was all but guaranteed

In fact, one might argue—as I did this past July —that the first real breakthrough came even earlier in 2021, when Netflix’s French heist series, Lupin, debuted to record-smashing global viewership all the way back in early January. After 2020 saw period piece darlings The Queen’s Gambit and Bridgerton net impressive enough viewership numbers that Netflix was willing to make (at least a sliver of) its internal data (kind of) public—i.e., by reporting that 62 million households binged the former in its first 28 days on the services, while 63 million binged the latter—Lupin topped both by netting a shocking (at the time) 70 million household binges before February was out.

This is the point at which I would typically say, “by comparison…,” but unfortunately, the number Netflix recently touted to Variety for Squid Game’s own first 28 day period—1.65 billion hours watched (as opposed to “households binged”)—effectively obfuscates any kind of useful analogy. That said, a more standardized data set put together by Statista, which ranks titles according to the number of accounts that streamed a given series for “at least 2 minutes in the first 28 days since release,” puts Squid Game far enough ahead in the No. 1 slot that it’s probably safe to assume it truly has outstripped every possible competitor in the ways that, at least so far as the global zeitgeist is concerned, really matter. Ultimately, between Lupin’s mega success* in the first half of the year, and Squid Game’s even wilder success in the second, it’s safe to say that 2021 really was the Year of the Foreign Language Blockbuster.

(*Interestingly, while Lupin still ranks high on the Statista list, it comes in at number 3, just behind Bridgerton and just ahead of The Witcher. The Queen’s Gambit, meanwhile, doesn’t appear in the top 10 at all. That said, the attached mini-analysis underscores the fact that a real discrepancy lies between “accounts streaming at least 2 minutes” and “total hours watched,” noting, for example, that while only 67 million accounts may have streamed the first 2 minutes of Stranger Things’s third season, that same season garnered a respectable 582 million total viewing hours. Which I guess is just a fancy math way of saying thanks for the confusion, Netflix!!)