The 10 Best Sitcoms Of 2014
With shows like True Detective, Transparent, and Orange is the New Black claiming top spots on many of our year-end lists, it’s easy to make the argument that the traditional network sitcom has lost its appeal. And it’s true on some level, as a few of our HBO and FX favorites appear on this list. But we’re all also still watching—and thoroughly enjoying—many of the good ol’ fashioned, family-friendly shows on television. Here are our picks for the ten best sitcoms of 2014. And—surprise!—after two years, we finally have a new number one.
10. Black-ish
Creator: Kenya Barris
Stars: Anthony Anderson, Tracee Ellis Ross, Yara Shahidi, Laurence Fishburne
Network: ABC
This new ABC sitcom is hardly the first time that the experiences of an upper class black family has been brought to the small screen. Yet, Black-ish feels so much fresher than its peers, thanks to some smart writing that pokes at the still fresh wounds of race relations in our country (though, without pouring in a helping of salt). There’s also a sense of the absurd that feels akin to other great family sitcoms like Malcolm in the Middle and The Simpsons. The comedy is brought further down-to-earth by great performances, with particularly fine work coming from the four kids in the cast, and a nimble and irascible Laurence Fishburne.—Robert Ham
9. Community
Creator: Dan Harmon
Stars: Joel McHale, Danny Pudi, Donald Glover, Alison Brie, Ken Jeong, Yvette Nicole Brown
Network: NBC
It’s tempting to grade Community’s fifth season on a curve, given the show’s strange on-again, off-again relationship with its creator and showrunner Dan Harmon. Community doesn’t need this assistance, though, as it managed to dig its way out of the fourth season’s deep pit and put something truly original onto television, all while still maintaining its original identity. While Community couldn’t quite recreate the explosion of creativity that characterized its first seasons, the show still made an effort to do more than just emulate its early success. Season Five found the show trying out new ideas and attempting to forge an identity for itself that made sense, given four seasons of occasionally muddled continuity. And all of this—even when it wasn’t really working—was for the better. Community may be the most inconsistent show on this list, but when it’s good, there’s very little else like it on television.—Sean Gandert
8. Bob’s Burgers
Creator: Loren Bouchard
Stars: H. Jon Benjamin, Dan Mintz, Eugene Mirman
Network: FOX
This past year is when Bob’s Burgers truly hit its stride. With the characters and the universe that they reside in firmly set, the writers knew that they could really start stretching the storylines into strange places: a wine tasting train ride that wound up being hijacked by the Belcher kids, a convention for Brony-like lovers of a kid’s TV show, or the epic Season Four two-parter that saw Bob’s dreams of a better life scuttled amidst a plot to destroy the town’s amusement park. And through it all, the show never once lost its heart, with the relationships among the Belchers getting stronger and more loving. Even as Bob struggled to understand and tolerate his quirk-filled kids and his flighty, endlessly positive wife, you never forgot how much he would sacrifice for them. You come for the snappy writing, brilliant voice acting work, and silly pop culture references, but you end up staying for the warmth that exudes from each episode.—Robert Ham
7. Louie
Creator: Louis C.K.
Stars: Louis C.K., Hadley Delany, Ursula Parker
Network: FX
Louie took an unexpected step, even for a show that defies all expectation, in its fourth year. This season brought a slight rearrangement of format, with the inclusion of numerous multiple-episode arcs that pushed the, delightful, unusual dark comedy toward something one could daringly call continuity. What it failed (thankfully) to do, was push the show anywhere closer to television’s status quo. The idea that one of the biggest comedians in the world is producing something so artistically gratifying, so genre-bending, so simultaneously bizarre and truthful—as opposed to a run-of-the-mill sitcom—is something to behold, even in the Golden Era of television. Those of us who marvel at what Louis C.K. has created with this gem of a TV show have one man to thank, aside from the one behind the mic: John Landgraf, President of FX. If it has not been said enough, allow me: Thank you, sir.—Eric Walters