The 10 Best Comedians We Saw at Just For Laughs 2017
Ron Funches photo by Getty; John Mulaney photo courtesy of Netflix
Just For Laughs is overwhelming. The huge comedy festival in Montreal hosts hundreds of comics from around the world throughout July, with most of those shows being packed into the final week of the month. Imagine going to two or three comedy shows a night for six days, seeing dozens of comics at clubs strewn throughout the city. It can be hard to keep everything straight, which is why, if you’re a professional, you take notes. At least, you try to take notes—you can’t really have your phone out at a comedy show without looking like a jerk, and it can be hard to jot your thoughts down in a notepad when you’re sitting in what is normally a strip club and the only lights are the purple stage lights shining down on the Lucas Bros. You have to use your brain, is what we’re saying. Paste saw close to fifty comedians over six nights in Montreal this year, and here are the best that we saw, as far as our brains are capable of remembering. And I’m using the plural here because, despite the byline above, I was not alone; my wife came with me and had full input into this here list. She has good taste. You’d like her.
We’re doing this ALPHABETICALLY, by the way, so don’t read anything into the order. And clearly none of the videos we embedded are from Just For Laughs; we just wanted to give you an idea of what they’re all about.
Kate Berlant
A lot of people probably wouldn’t view Berlant’s stand-up as stand-up, per se. She basically constructs a character called Kate Berlant who’s a flighty, free-associating, semi-pretentious performance artist (and amateur psychic). She’s equal parts Robin Williams and the artist character from her episode of Netflix’s The Characters, only not nearly as tiresome as that might sound. Her hour of constant patter and audience work was, from a performance standpoint, easily the most impressive thing we saw during Just For Laughs, an extremely confident show from a comedian in complete control of her powers.
Here she is with John Early on The Tonight Show earlier this year:
Mark Forward
Mark Forward’s been a stand-out of Just For Laughs every year I’ve been. In both 2015 and 2016 I caught his “fancy hats” routine, an elaborate multimedia one-man play where he portrays multiple characters and interacts with a crucial musical cue. He didn’t include this vignette in his show Mark Forward Wins All the Awards, but the hour-long set was just as inspired and absurd. Forward has a Kaufman-esque streak, oscillating between both silliness and more pointed material, but he doesn’t get as antagonistic as Kaufman could. Imagine if Zach Galifianakis’s stand-up was less focused on surreal one-liners and more on ridiculous scenarios and characters, such as the show-opening set piece about how he was too busy making sandwiches for his child to write any jokes, an anecdote he tells while buttering every slice of a loaf of bread. Forward pulls off being weird without ever feeling like he’s trying too hard to be weird, which is hard to do.
Ron Funches
Paste favorite Ron Funches wrapped up his Funch-a-Mania tour with a slate of shows at Just For Laughs, where he showed off a fresh hour of stories about his life and his son Malcolm. If you haven’t seen him lately, Funches has shed a considerable amount of weight, and the newfound confidence that comes with that made up some of the best parts of his show. Much like on his 2015 album The Funches of Us, the heart of his set detailed his ever-evolving relationship with his son, who’s now a teenager, and not overly impressed by his dad’s thriving career in comedy and TV. Funches gets bonus points for his wrestling fandom—he was wearing a Los Ingobernables de Japon shirt when we saw him (RIP Daryl) and was escorted out by 1980s WWF mainstay Virgil, complete with the diamond-encrusted Million Dollar Championship belt.
Sam Jay
The tough but vulnerable Sam Jay lead off her short set at Andy Kindler’s Alternative Show with an unexpected bit lamenting the current state of the white man, feeling sorry for them because nobody really cares about what they think or feel anymore. Her tone really made it work—it’s not like she was asking for things to go back to the way they were, or operating under any delusions about white men not still running the world, and she fit in some sharp criticisms of the most easily critiqued bunch of folks around (uh, you know, white men). It’s just that, as a fellow human, she feels a little bad about literally nobody else ever caring about a white man’s bullshit anymore. It was a smart and original way to basically remind us all how horrible white men can be. The rest of her set was about the pressures of having to be fun if you’re a larger girl, which really resonated with the audience.