BoJack Horseman: “Higher Love”

Despite featuring a variety of animals, what sets BoJack apart from most other cartoons is its humanity. It’s easily as raunchy as say, Family Guy, and probably at least half as violent, but those qualities feel different when bolstered by an underlying sensitivity and consistent character development. “Higher Love” is the exception. Unaccompanied by a compassionate message and real character growth, it repeatedly makes a punchline of human suffering.
“After the Party” masterfully gets us emotionally invested in the trials of Mr. Peanutbutter and Diane’s marriage. “Higher Love” initially seems poised to continue that arc, one of this season’s most compelling so far, but the moments that focus on the strain are few and far between. There’s new cause for tension now, as PB Livin’ goes bankrupt. That’s what happens when Mr. Peanutbutter and Todd are in charge and Vincent Adultman serves as business manager. One massive payout to kindergarteners for the rights to the game tag later, and it’s clear Mr. Peanutbutter needs a real job.
Here’s where things take a weird turn. Mr. Peanutbutter walks in on his agent to find him dead of erotic asphyxiation. This becomes the central theme of the episode once BoJack learns his Secretariat co-star Corduroy has a history of engaging in self-strangulation to heighten his orgasms. BoJack gets the brilliant idea to test Wanda’s love for him by threatening to asphyxiate himself.
Yes, BoJack is self-absorbed and needy and irrational in his dating life (and, well, always), but there’s something so real about his inability to get over himself and be the loving partner he needs to be. His tactics in this episode are terrible and manipulative, but the anxiety that drives them is clear. Wanda, on the other hand, comes across as terrible and manipulative for the fun of it, once you get past her sunny exterior. Not telling BoJack she loves him for three days just to prove a point is condescending and cold.