Oscars Wine Flight: Pairing Wine with the Best Picture Nominees

No matter how tedious it gets. No matter how fatuous. No matter how they gut the stupid thing (this year, editing and cinematography will be honored during commercial breaks because, yeah, those are not important), no matter how many hosts step down in a miasma of social scandal and no matter how many self-admiring, virtue signaling, undereducated diatribe delivering honking bores seize the microphone, we apparently still love the Academy Awards.
I would posit that your best bet for getting through this event is to keep the drinks flowing. To that end, we’ve assembled a sample flight for pairing with Best Picture nominations.
Black Panther: 2011 Giacosa, Bruno Barbaresco Asili Riserva (Piemonte, $1,000)
Nebbiolo gets its name from the Italian word for fog-some will tell you this is because its native Piemonte is known for its valley fog at harvest time and others will say it’s due to the strong frosty bloom on the berries. Like vibranium, this stuff is rare, costly and precious. And like T’Challa, it’s a beautiful balance of grace and power with something a little bit animal about it. Full-bodied and complicated, it combines notes of leather and flesh with delicate rosepetal florals, herbs (not heart-shaped but still potent) and black cherries, with a balsamic quality and major staying power. Structured and muscular, but essentially friendly, with a tenacious finish.
(We understand if you don’t have a per diem from the Wakandan government and suggest Villadoria Barolo DOCG Sori Paradiso 2013 as a more accessible and also highly delicious Nebbiolo wine! Balanced and fruit-forward, lighter-bodied than the Giacosa but sharing the elements of roses, leather and herbs like fennel and sage. Strawberry and orange rind are prominent as well as dark cherry. It’s delicious.)
Bohemian Rhapsody: Moet & Chandon Imperial (France, $50)
In a pretty cabinet. Any questions? OK but in all seriousness, Champagne does have the ideal combination of effervescence and long aging, spotlight-gold hue, baroque harmonies and epic finish. And Moet & Chandon Imperial is a definite crowd-pleaser and a wine with range. In fact, if you look up 10 reviews of this stuff you’ll find 10 markedly different descriptions-some people find it smoky, some spicy, some fruity. Pastry cream? Ginger? Oranges? Hazelnuts? Brioche? Blackberry jam? Yes.
Need to dial it down? Lucien Albrecht Cremant D’Alsace will run you $20. Made from Pinot Blanc grapes and showing the soft green apple note characteristic of that varietal, this is an ultra-elegant, crisp, refined, layered and well-structured wine. A creamy texture, beautiful beading, and a long, light, lemony finish. It is sophisticated, versatile, and approachable.
The Favourite: Chateau Siran 2015 ($25-30)
Queen Anne was a Margaux gal, from what I can tell. Some wines from this storied appellation in Bordeaux have been made since her reign and some will not work for most of us who are not royalty (A Chateau Margaux 1787 will run you something like half a mil) but the region does have its values. Try Chateau Siran 2015 for $25-30, and toast the health of the Queen. Like the film’s portrayal of Anne, this wine’s a bit dramatic, with tannins in the “punchy” range and dense, vivid fruit notes (dried blueberry upfront, with blackcurrant, cherry and blackberry) and some more layered and ethereal aromatics like violet and lavender, cedarwood, plums, smoke, tobacco and chocolate. The finish is velvety but there is no denying the approach is pretty feisty.