The Best Horror Movie of 1948: Abbott and Costello Meet Frankenstein

This post is part of Paste’s Century of Terror project, a countdown of the 100 best horror films of the last 100 years, culminating on Halloween. You can see the full list in the master document, which will collect each year’s individual film entry as it is posted.
The Year
In the midst of the horror genre’s longest overall fallow period, 1948 actually isn’t quite so bad, at least compared to the years that surround it on either side. It can at least claim to be home to several genre movies that have stood the test of time in some way, to the point that they’re easily recalled by those who know film. If only we could say that about the likes of 1950. Alas.
This year is home to a number of noir-ish thrillers that border on the horror genre, which would describe the content of both The Amazing Mr. X and Daughter of Darkness, a more mundane film than the title might have you believe. There are some monster-y fantasies, ‘ala Unknown Island, which features some of the strangest looking dinosaur costumes of the 1940s, but the biggest discussion of “is it horror?” this year revolves around Alfred Hitchcock and Rope.
Rope is one of Hitchcock’s simplest psychological thrillers from a plotting standpoint, but was one of his most complex and challenging to execute behind the camera. The director reportedly considered it a failed experiment, but the film’s esteem has gradually increased over the years, in response to its admittedly impressive (but often very subtle) production design and camera techniques. Edited to appear as a single, continuous shot, and full of numerous long takes of 10 minutes or more, it certainly feels like watching the stage play it was adapted from. The fact that Hitchcock also made Rope his first Technicolor feature only added to his technical challenges. The story concerns a dinner party being held by a pair of brilliant but disturbed young men, who are reveling in the fact that they killed one of their peers earlier that afternoon, just to see if they could get away with the crime. The dinner party is part of the test: Can the two blithely smile and gab their way through the evening, while their victim’s body is hidden in the very same room? What of the pair’s former professor, played by Jimmy Stewart, whose inquiring mind is constantly needling at the guilt showing through their facade? Whether or not you consider it “horror,” Rope is a scintillating, 80-minute thriller.
1948 Honorable Mentions: Rope, The Amazing Mr. X, Daughter of Darkness, Unknown Island