That Certain Summer Broke Ground with Martin Sheen and Hal Holbrook as a Gay Couple

From 1969 to 1975, ABC put out weekly films. They functioned as TV pilots, testing grounds for up-and-coming filmmakers, and places for new and old stars to shine. Every month, Chloe Walker revisits one of these movies. This is Movie of the Week (of the Month).
The year is 1972. Martin Sheen and Hal Holbrook have been ubiquitous on small screens since the ‘50s; familiar faces to TV audiences, but far from the level of fame that would find them later in their careers. After a decade of writing for other people’s series, William Link and Richard Levinson have recently started penning their own TV movies; My Sweet Charlie won them their first Emmy in 1970, and Prescription: Murder had just become a little show called Columbo in 1971. The four men were about to collaborate on the rarest of ventures: A TV movie that would be remembered decades after it aired.
That Certain Summer sees 14-year-old Nick (Scott Jacoby) spend the summer with his dad Doug (Hal Holbrook), a contractor in San Francisco, who’s been divorced from Nick’s mom (Hope Lange) for three years. Nick’s excitement for the visit is immediately quashed when he meets Doug’s “friend” Gary (Martin Sheen), who continues to interrupt their father-son time throughout his trip.
Doug and Gary are actually romantic partners, and Doug hasn’t worked out how—or even if—he’s going to tell his son; it’s clear he’s hoping that Gary and Nick will become such good pals, Nick will be thrilled to learn the news. But remember, we’re in 1972 here, and Doug’s dream proves rather optimistic. As the summer progresses, the realization of who Gary really is to his father slowly sinks in, and he’s not thrilled. Not in the slightest.
That Certain Summer is widely credited as being the first TV broadcast to portray a gay couple in a positive light. Still, airing on network TV in 1972 meant a whole host of challenges. No way was the skittish ABC going to allow the sort of physical affection they showed between straight couples numerous times a day; even lingering eye contact was verboten. The creative team was tasked with telling a story about a loving gay couple that would be broadcast on a network profoundly uncomfortable with the whole idea.
Nevertheless, they did an impressive job. Sheen and Holbrook, aided by Link and Levinson’s sensitive dialogue, quickly conjure the kind of ease with each other that naturally stems from intimacy. Their dynamic is established so convincingly, you can imagine what their weekends together would look like, how they’d be at a dinner party, or in a crisis; when a later exchange reveals they’ve been together less than a year, it comes as a surprise. Considering that at the time That Certain Summer was aired, homosexuality was still a year from being officially declassified as a mental illness by the American Psychiatric Association, the comfortable banality of Doug and Gary’s relationship was, in itself, revolutionary.
One of ABC’s demands was that Link and Levinson include a character who represented “the average heterosexual American.” Enter Gary’s boorish brother-in-law, Phil (Joe Don Baker). Gary usually lives with Doug, but is staying at his sister’s place for the duration of Nick’s visit. One morning, seemingly out of nowhere, Phil starts being aggressively tolerant of Gary’s “friend.”