The Week in Music: Paste’s Favorite Songs, Albums, Performances and More
Let's review: The Wombats, Robert Randolph, Superchunk, The Radio Dept, more.
Photo: Phil Smithies
This week at Paste Music we looked clearly ahead to the rest of the new year and saw promising things. Tuesday was a stellar day for new tunes from bands old and new alike, and we collected the 20 albums we’re most looking forward to in 2018. Post-punkers Shame and Nashville’s Anderson East released impressive full-lengths, and in the studio we hosted pop icon Rick Springfield, Grammy-nominated pedal-steel master Robert Randolph and The Wombats (pictured top) all the way from the U.K. Catch up on all the new music and features you need to know from this week.
BEST ALBUMS
Shame: Songs of Praise
Citing influences like The Fall and Eddy Current Suppression Ring, Shame make familiar but not unawesome post-punk. Think tightly wound, jittery guitars, mile-a-minute hi-hat and an exquisite bleakness that stems from their municipal origin—the Gang of Four-flavored “Concrete,” a song about an unhappy relationship that will have you beating on your steering wheel, embodies this sound perfectly and already gives me hope for a better 2018. What sets these lads apart is their beyond-their-years songwriting, riotous live shows (they were once fined for ripping a chandelier from the ceiling) and frontman Charlie Steen’s arresting vocals. Songs of Praise stokes plenty of anticipation for whatever they choose to do next. —Madison Desler
Anderson East: Encore
The fans and tastemakers of Nashville have fixed their gaze upon Anderson East for the last little while due to his creative relationship with country superstar Chris Stapleton and his romantic relationship with Miranda Lambert. But it doesn’t take long into either of East’s major label albums—2015’s Delilah and his new one Encore—to see that while his Southern roots run deep, he’s more interested in bringing back the groove and sweat of the region’s soul/R&B legacy than adding to the bro-country ranks. It’s the middle section of Encore that soars. East and his band tear into Ted Hawkins’s ruefully funny “Sorry You’re Sick” with abandon and “Surrender” is the perfect sub-three-minute rager with teeth and edge. There’s a sneakiness to these tunes that sit at the core of the album, a very modernist, radio-friendly take on a throwback sound that reveals East’s (or his label’s) intentions to turn him into a star. —Robert Ham
BEST SONGS
Nathaniel Rateliff & The Night Sweats: ‘You Worry Me’
Nathaniel Rateliff & The Night Sweats will return with Tearing at the Seams this spring, setting their sophomore album for a March 9 release on Stax Records. Lead single is an inviting, upbeat anthem that opens with a simple and steady piano line, expanding to encompass a minimalist guitar riff, marching bass and Rateliff’s warm vocals. “I’m gonna leave it all out there,” he promises, his understated delivery doing nothing to dull the song’s infectious energy. It’s a real pat-on-the-back of a track, a fortifying reminder that, in the face of life’s many obstacles, all we can do is “find a way to cross.” —Scott Russell
Superchunk: ‘Erasure’
The North Carolina veteran indie rockers released this new track from their forthcoming 11th studio album, What a Time To Be Alive, out on Feb. 16. It’s their first album since 2013’s I Hate Music. “Erasure,” featuring Katie Crutchfield (Waxahatchee) and Stephin Merritt (The Magnetic Fields), is an upbeat slice of power-pop and follows in a similar vein of the album’s title track, which also embraces a style of protest pop with uplifting melodies and pointed lyrics. —Lizzie Manno
Wei Zhongle: ‘Mute’
Rob Jacobs and John McCowen thrive on restlessness. Their joint project Wei Zhongle has maintained a rotating cast of musicians through the five albums they’ve released under that name. The latest pleasant shock to the system from this Chicago-based outfit is the new album The Operators, out on Feb. 16 via Self Sabotage Records. The record is bouncy and bubbly yet cut through with hard angles and sharp points. Give a listen to this slithery beast of a song from the new LP and take care not to let it wrap around your cerebral cortex too tightly. —Robert Ham