The Joe Shuster Story, Flavor, Quicksilver: No Surrender & More in Required Reading: Comics for 5/16/2018
Main Art by Thomas Campi
Happy mid-May, comic fans! Before Deadpool 2 arrives and machine-guns its way through the comic-book internet for a few weeks, we’re thrilled to have a Wednesday chock-full of interesting releases that (mostly) fall outside of bombastic super-heroics. AfterShock taps the True Detective horror/crime niche with A Walk Through Hell, Superman gets a different kind of origin tale in The Joe Shuster Story, magic runs wild once more in Ether: The Copper Golems and readers can catch up on a city like no other in Paradiso Vol. 1. We’ve also got the continuation of one of the best horror stories on stands, a cooking-inspired Image launch with an actual chef consultant, a mythology-inspired mother/daughter story, DC’s latest “New Age” kickoff, Marvel’s speediest new mini-series and a fitting memorial to a fallen hero to wrap things up. We’re probably going to hear a lot about the Merc with a Mouth the rest of the week, so buckle down and enjoy some fine reading before the chimichangas start flying.
Ether: The Copper Golems #1
Writer: Matt Kindt
Artist: David Rubín
Publisher: Dark Horse
Fans of 2016’s Ether are in for a treat this week as creators Matt Kindt and David Rubín return to the world they created at Dark Horse. Protagonist Boone Dias returns too, this time trying to seal up all of the portals between Ether and Earth. These portals have allowed all sorts of beings to travel from the former to the latter, and this sequel pits Dias against a variety of foes as he tries to save both worlds. Rubín has most recently worked on Sherlock Frankenstein, the tie-in miniseries to Jeff Lemire’s Black Hammer, and given the similarities between Kindt and Lemire’s work, the transition back and forth is likely to be a smooth one. Rubín’s color work in particular is great, with rich texture and jewel tones highlighted by sharp, intense pops of neon on the page. Kindt has been busy as well with the excellent Grass Kings from BOOM!, an exploration of secrets, family and small minds that is perfect for folks who fell down the Rajneesh rabbit hole in the Netflix documentary Wild Wild Country. Like the original Ether run, The Copper Golems is set to be a five-issue series, self contained and magical. Caitlin Rosberg
Flavor #1
Writer: Joseph Keatinge
Artist: Wook Jin Clark
Publisher: Image Comics
How many comics have a food consultant? At least one, now: Flavor, out this week from Image Comics. Joseph Keatinge (Ringside, Shutter) teams up with an all-star team of artists and award-winning author and food scientist Ali Bouzari to serve up a strange fantasy world where food is the ultimate commodity, and chef is a carefully guarded career path that can skyrocket any skilled culinarian into superstardom—if they can survive. Flavor promises “a world steeped in the enticingly lush world-building of Hayao Miyazaki,” and with Megagogo creator Wook-Jin Clark and colorist Tamra Bonvillain driving the art, Flavor is sure to deliver some gorgeous visuals. This series sounds a little like Top Chef dialed up to 11, or maybe MasterChef Junior without the gentle paternal guidance of Gordon Ramsey to soften the blows of defeat, and with all the shady government underpinnings of a classic sci-fi dystopia. For anyone who loved the culinary strangeness of Chew or the action and intrigue of Space Battle Lunchtime, Flavor is a must-read comic for the summer. C.K. Stewart
I Am a Hero Vol. 6
Writer/Artist: Kengo Hanazawa
Publisher: Dark Horse Comics
Six double-sized omnibus volumes in, we’ve run out of new ways to recommend Kengo Hanazawa’s zombie magnum opus, I Am a Hero. If you think every good zombie story has already been told, or that horror manga begins and ends with Junji Ito, prepare to be proven wrong. Hanazawa does owe a debt to Ito when it comes to skin-crawling imagery, but his pacing and choice of framing often seems more derived from Western horror films, with ample use of location shots, fisheye angles and other cinematic devices. I Am a Hero began as a fairly straightforward infection story as Japan quickly succumbed to the “ZQN” plague, but the previous volume expanded the scope, showing Taiwan under siege and introducing new bands of survivors using…unusual methods. This volume further explores the uniqueness of Hanazawa’s approach to the walking dead, as some of the infected begin to display seemingly supernatural abilities instead of merely becoming semi-sentient garbage disposals. If you’ve got a high tolerance for terror, I Am a Hero is one of the best horror stories in comics today. Steve Foxe