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Paste Magazine: Your Guide to the Best Music, Movies & TV Shows
Signs of Life in Music, Film & Culture
Latest
Music
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Music Reviews
On
5 Years Behind
, THICK Lament the Millennial Crisis of Being (a Woman)
By Natalia Keogan
March 6, 2020 | 11:55am
On
Suddenly
, Caribou Finds Pop Brilliance in Loss
By Joshua Bote
March 6, 2020 | 10:20am
Disq’s Eccentric Guitars and Millennial Angst Charm on
Collector
By Lizzie Manno
March 5, 2020 | 1:00pm
Mandy Moore Finds Her Way Back on
Silver Landings
By Eric R. Danton
March 5, 2020 | 11:30am
Real Estate Are Anything But Complacent on
The Main Thing
By Clare Martin
March 4, 2020 | 11:00am
Christine and the Queens’
La vita nuova
Is an Odyssey of Self-Reflection
By Austin Jones
March 4, 2020 | 8:30am
Kevin Krauter Confronts His Sexuality Against a Midwestern Backdrop
By Max Freedman
March 2, 2020 | 9:40am
Hailey Whitters Makes a Case for Country Stardom on
The Dream
By Ellen Johnson
February 28, 2020 | 11:40am
Soccer Mommy’s
color theory
Is an Indie Rock Landmark
By Max Freedman
February 28, 2020 | 9:50am
Lee Ranaldo and Raül Refree Make Avant-Garde Accessible on
Names of North End Women
By Austin Jones
February 27, 2020 | 1:35pm
Post Animal’s
Forward Motion Godyssey
Is a Multidirectional Misstep
By Jade Gomez
February 27, 2020 | 12:00pm
Ratboys’
Printer’s Devil
Sounds Unlike the Ratboys You Know, and That’s a Good Thing
By Andy Crump
February 26, 2020 | 12:30pm
Bambara Sharpen Their Character-Driven Gothic Rock on
Stray
By Lizzie Manno
February 26, 2020 | 8:30am
Brooke Bentham Confronts Uncertainty on
Everyday Nothing
By Eric R. Danton
February 25, 2020 | 11:35am
Best Coast Start Building a Brave New World on
Always Tomorrow
By Clare Martin
February 23, 2020 | 8:30am
Sega Bodega’s
Salvador
Is a Disturbingly Raw Deconstruction of Club Music
By Austin Jones
February 21, 2020 | 11:45am
Beach Bunny’s Heartbroken
Honeymoon
Is Impossible to Hate
By Steven Edelstone
February 21, 2020 | 10:00am
Grimes’
Miss_Anthropocene
Veers on Incoherent
By Max Freedman
February 21, 2020 | 9:40am
King Krule Returns with
Man Alive!
, His First Truly Great Record from Front to Back
By Harry todd
February 20, 2020 | 12:55pm
Letitia VanSant’s Mighty Heart Keeps a
Circadian
Rhythm
By Andy Crump
February 20, 2020 | 10:40am
Katie Pruitt Finds Her Own Path on
Expectations
By Eric R. Danton
February 19, 2020 | 2:40pm
After Losing Their Lead Singer, Kvelertak Retain Their Swagger and Roar on
Splid
By Ben Salmon
February 19, 2020 | 12:10pm
Justin Bieber’s
Changes
Is a Limp Exploration of Grown-Up Romance
By Joshua Bote
February 18, 2020 | 1:40pm
HMLTD’s
West of Eden
Is an Ambitious Depiction of Humanity’s Downfall
By Lizzie Manno
February 18, 2020 | 11:25am
Mo Troper's
Natural Beauty
Is a Masterclass in Sweet 'n' Sour Power-Pop
By Ben Salmon
February 14, 2020 | 2:30pm
No Longer a Loner, Kevin Parker Tries Out Pop Stardom on
The Slow Rush
By Steven Edelstone
February 14, 2020 | 1:30pm
Tennis’
Swimmer
Is a Smooth Listen About Rough Times
By Clare Martin
February 14, 2020 | 9:00am
Katie Gately Finds a Novel Approach to Documenting Grief
By Max Freedman
February 13, 2020 | 3:15pm
Tré Burt’s
Caught It From the Rye
Is Traditional Folk Music From a Proudly Black Perspective
By Steven Edelstone
February 13, 2020 | 12:35pm
What’s Tonight To Eternity
Is the Culmination of Cindy Lee’s Abrasive Art-Pop
By Zach Schonfeld
February 12, 2020 | 11:55am
On
All or Nothing
, Shopping Elevate Their Bouncy Post-Punk Sound with More Synths and Less Guitar
By Natalia Keogan
February 12, 2020 | 9:50am
Boniface Captures Essence of Early Adulthood on Debut LP
By Eric R. Danton
February 11, 2020 | 10:20am
La Roux’s
Supervision
Is Consistent, But Misses Her Signature Spunk
By Ellen Johnson
February 10, 2020 | 3:00pm
Just Be Still With Squirrel Flower’s
I Was Born Swimming
By Ellen Johnson
February 7, 2020 | 2:55pm
The World at Night
Is Walter Martin’s Most Ambitious Solo Album Yet
By Zach Schonfeld
February 7, 2020 | 12:45pm
Khruangbin & Leon Bridges Take a Leisurely Ride Under the
Texas Sun
By Andy Crump
February 7, 2020 | 12:05pm
Stone Temple Pilots Finally Deliver What They Were Always Capable of on
Perdida
By Saby Reyes-Kulkarni
February 6, 2020 | 3:55pm
Jagged Pieces Form a Beautiful Whole on Frances Quinlan’s
Likewise
By Steven Edelstone
February 6, 2020 | 11:45am
Poliça Unpack Trauma on
When We Stay Alive
By Austin Jones
February 5, 2020 | 12:20pm
Chubby and The Gang Step on the Gas on Debut LP
Speed Kills
By Lizzie Manno
February 4, 2020 | 2:15pm
John Moreland Builds a New Framework on
LP5
By Eric R. Danton
February 4, 2020 | 9:45am
Loving Go Soul Searching on
If I Am Only My Thoughts
By Harry todd
January 31, 2020 | 9:00am
Drive-By Truckers Mix Empathy and Anger on
The Unraveling
By Eric R. Danton
January 30, 2020 | 1:25pm
Destroyer Balances Eccentricity with Accessibility on
Have We Met
By Eric R. Danton
January 30, 2020 | 9:10am
TORRES Confronts Desire and Infatuation on
Silver Tongue
By Zach Schonfeld
January 29, 2020 | 11:45am
Bonny Light Horseman Spin Ancient Songs Into Modern Gold on Self-Titled Debut
By Ben Salmon
January 29, 2020 | 10:30am
Bombay Bicycle Club’s Long-Awaited Return Is Listless and Repetitive
By Steven Edelstone
January 28, 2020 | 11:00am
Andy Shauf Is Everyone’s Favorite Drinking Buddy on
The Neon Skyline
By Clare Martin
January 28, 2020 | 8:00am
Wolf Parade’s
Thin Mind
Is Even Thinner On New Ideas
By Andy Crump
January 27, 2020 | 9:55am
Mura Masa’s Guitar-Based Dance-Pop Soars on
R.Y.C
By Lizzie Manno
January 24, 2020 | 2:40pm
Okay Kaya’s
Watch This Liquid Pour Itself
Is a Laugh-Out-Loud Masterpiece
By Max Freedman
January 24, 2020 | 10:30am
Pet Shop Boys Hit Career Highs and Lows on
Hotspot
By Robert Ham
January 23, 2020 | 1:15pm
Halsey’s
Manic
is a Grand, Confounding Image of a Newly-Minted Star
By Joshua Bote
January 23, 2020 | 11:00am
Σtella Makes a
Break
for It
By Max Freedman
January 22, 2020 | 3:30pm
Sløtface Live Up to Their Potential on
Sorry for the Late Reply
By Eric R. Danton
January 22, 2020 | 11:40am
On
Countless Branches
, Bill Fay Quietly Ruminates on Life
By Ben Salmon
January 21, 2020 | 10:00am
Pinegrove Attempt to Forgive Themselves on
Marigold
By Steven Edelstone
January 17, 2020 | 12:30pm
of Montreal’s
UR FUN
Is One Hell of a Party
By Clare Martin
January 16, 2020 | 2:10pm
Algiers Sound Defeated on
There Is No Year
By Harry todd
January 16, 2020 | 10:40am
Kiwi Jr.’s
Football Money
Evokes Top-Shelf Indie Rock
By Ben Salmon
January 15, 2020 | 1:45pm
Alice Boman Balances Intimacy and Intensity on
Dream On
By Eric R. Danton
January 14, 2020 | 12:35pm
David Keenan Lacks Originality on
A Beginner’s Guide to Bravery
By Clare Martin
January 13, 2020 | 1:40pm
Selena Gomez Shares A Little More on
Rare
By Ellen Johnson
January 13, 2020 | 10:10am
Hawktail’s
Formations
Soars Over Tennessee
By Andy Crump
January 10, 2020 | 11:30am
The Big Moon’s Second Album is Sparkling and Sonically Diverse
By Lizzie Manno
January 10, 2020 | 8:00am
Field Music’s Stiff Prog-Pop Hampers Their Complex Concept Album
By Robert Ham
January 9, 2020 | 1:00pm
On
Seeking Thrills
, Georgia Continues to Work the Dancefloor
By Max Freedman
January 8, 2020 | 10:00am
No Album Left Behind: A Winged Victory for the Sullen’s
The Undivided Five
By Steven Edelstone
December 31, 2019 | 12:20pm
No Album Left Behind: Spoony Bard’s
Old Friends
By Saby Reyes-Kulkarni
December 31, 2019 | 10:00am
No Album Left Behind: Cherubs’
Immaculada High
By Saby Reyes-Kulkarni
December 30, 2019 | 11:30am
No Album Left Behind: Bellows’
The Rose Gardener
By Amanda Gersten
December 30, 2019 | 8:30am
No Album Left Behind: Jack Peñate's
After You
By Steven Edelstone
December 27, 2019 | 9:30am
No Album Left Behind: Pernice Brothers'
Spread the Feeling
By Eric R. Danton
December 26, 2019 | 10:00am
No Album Left Behind: DIY Sluts'
Everlasting Itch
By Clare Martin
December 23, 2019 | 12:30pm
No Album Left Behind: Sui Zhen’s
Losing, Linda
By Max Freedman
December 23, 2019 | 11:00am
No Album Left Behind: Resavoir’s
Resavoir
By Harry todd
December 20, 2019 | 9:30am
No Album Left Behind: Michaela Anne's
Desert Dove
By Andy Crump
December 19, 2019 | 1:20pm
No Album Left Behind: Brutus'
Nest
By Lizzie Manno
December 17, 2019 | 3:05pm
Harry Styles Rejects Labels on the Imperfect, Still-Satisfying
Fine Line
By Ellen Johnson
December 17, 2019 | 8:00am
No Album Left Behind: Cabana Wear’s
Cabana Wear
By Ben Salmon
December 16, 2019 | 2:20pm
KAYTRANADA’s
BUBBA
Is Quietly Queer
By Max Freedman
December 16, 2019 | 1:30pm
No Album Left Behind: Alex Cano's
Every Rise of the Sun
By Marisa Seligman
December 13, 2019 | 3:25pm
No Album Left Behind: 100 gecs'
1000 gecs
By Joshua Bote
December 13, 2019 | 1:00pm
On Their Self-Titled Debut, Free Nationals Un-.Paak Themselves
By Andy Crump
December 13, 2019 | 10:15am
No Album Left Behind: Shana Cleveland's
Night of the Worm Moon
By Clare Martin
December 12, 2019 | 12:30pm
No Album Left Behind: Dos Monos'
Dos City
By Harry todd
December 11, 2019 | 2:45pm
No Album Left Behind: Jamila Woods'
LEGACY! LEGACY!
By Amanda Gersten
December 11, 2019 | 10:30am
No Album Left Behind: Fire! Orchestra's
Arrival
By Hayden Goodridge
December 10, 2019 | 1:35pm
No Album Left Behind: Our Native Daughters'
Songs of Our Native Daughters
By Annie Galvin
December 9, 2019 | 12:35pm
No Album Left Behind: Sean Henry's
A Jump From The High Dive
By Lizzie Manno
December 6, 2019 | 2:45pm
No Album Left Behind: Tsunami Bomb’s
The Spine That Binds
By Andy Crump
December 5, 2019 | 2:15pm
No Album Left Behind: Philip B. Price’s
Bone Almanac
By Eric R. Danton
December 4, 2019 | 12:00pm
No Album Left Behind: KAINA's
Next to The Sun
By Max Freedman
December 3, 2019 | 12:20pm
Fran Tells the Truth on
A Private Picture
By Steven Edelstone
November 27, 2019 | 12:15pm
Coldplay’s
Everyday Life
is a Surprising Return to Form
By Lizzie Manno
November 27, 2019 | 9:45am
Tinashe Finds Success on Her Own Terms on
Songs For You
By Joshua Bote
November 26, 2019 | 12:25pm
Girl Ray Tries to Make Waves on
Girl
, But Manage Only Ripples
By Clare Martin
November 25, 2019 | 12:00pm
DJ Shadow Continues to Tarnish His Reputation on
Our Pathetic Age
By Hayden Goodridge
November 22, 2019 | 12:40pm
On His 14th album, Beck Is Content to Float Through
Hyperspace
By Ben Salmon
November 22, 2019 | 9:00am
Harry Nilsson Serenades Fans From Beyond the Grave on
Losst And Founnd
By Zach Schonfeld
November 21, 2019 | 9:00am
Leonard Cohen Remains Indispensable on
Thanks for the Dance
By Eric R. Danton
November 19, 2019 | 1:30pm
Matt Maltese’s
Krystal
Is a Lo-Fi Breakup Album Done Right
By Lizzie Manno
November 18, 2019 | 12:15pm
Vetiver Returns with the Perfectly Pleasant
Up On High
By Steven Edelstone
November 15, 2019 | 2:45pm
Juliana Hatfield Sings The Police
Plays The Hits
By Andy Crump
November 14, 2019 | 3:20pm
Michael Kiwanuka Verges on Profound with Third Album
By Eric R. Danton
November 12, 2019 | 2:20pm
The Kinks’
Arthur
Gets An Unnecessary Deluxe Reissue
By Robert Ham
November 11, 2019 | 2:55pm
Vegyn Shines on
Only Diamonds Cut Diamonds
By Harry todd
November 8, 2019 | 1:55pm
Mount Eerie & Julie Doiron Search for Closure on
Lost Wisdom, Pt. 2
By Harry todd
November 8, 2019 | 10:15am
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